Works: “Too Late” & “The Farewell Dress” By Sennur Üzgen “She no longer waits, and yet her heart lingers. She no longer speaks, and yet silence aches. A farewell was not a choice—it became her sentence.” Silent Farewell is not … Okumaya devam edin →
– by Sennur Üzgen Painting is not warmth. Sometimes, it is the freeze that follows a glance. The woman does not hold the cat for comfort. She holds it like she holds her silence—firmly, coldly, politely. This is not affection. … Okumaya devam edin →
No, this is not a necklace. It is a noose made of velvet memories. It doesn’t decorate a woman’s neck — it testifies to what was stolen from her. Look closer! You see a heart? I see a confession locked … Okumaya devam edin →
Manifesto by Sennur Üzgen – Through the Eyes of Surrexpressionism You think you’re looking at this painting. But you’ve already been seen. Lolita is not a figure. She is a gaze reversed. She watches as you assume power—then gently takes … Okumaya devam edin →
She has turned her back. She doesn’t show her face—because real farewells… always look into the unseen. She wears a black dress—this is not mourning, it’s the fabric of forgotten sentences. Her skin-toned back— Not the trace of a body, … Okumaya devam edin →
“Tabouret” and “Blue Dream”: The Language of the Body and Silence in Sennur Üzgen’s Surrexpressionism Opening a powerful and deeply personal space within the contemporary art scene, Sennur Üzgen transforms the body from a mere tool into a vessel of … Okumaya devam edin →
Red Storm: The Crimson Dance of Inner Tempests Ah, Red Storm — a passionate child of Sennur Üzgen’s Surrexpressionism movement! This piece is not merely a dance of colors and forms; it is a visual manifesto echoing through the deepest, … Okumaya devam edin →
